But what if you want to slow down regular old 24 or 30p footage, or you want to slow down 60 or 120p footage beyond the frames you have? Using the right tools with the right footage can give you results like this…Download Twixtor 7.3.1 for Mac from our software library for free. You can use the addon to apply various video effects, such as acceleration and slow-motion.In an ideal scenario, all your slow motion shots would be pre-planned, and you could shoot at proper frame rates to get great looking, frame accurate, slow motion. This means less tearing and stretching of objects as they cross or go out of the frame.Twixtor Pro 7.4.0 Crack + Activation Key Free Download 2021. Twixtor is much more accurate, tracks objects farther, and exhibits fewer artifacts when there are objects crossing in the scene. Twixtor raises the bar in motion estimation. Twixtor Pro v7.2.0 for Adobe After Effects & Premiere Pro WIN Free Download.Posting links to videos for editors and tv show/movie/music lovers for free downloading. The size of the latest downloadable installer is 22.4 MB.twixtor legacies aesthetic logoless scenes (1080p) + mega link. The application's installation file is generally known as twixtorfxpluginstaller.dmg. Our built-in antivirus scanned this Mac download and rated it as 100 safe.
Twixtor Download Twixtor 7Now those same 24 frames you captured have to cover 48 frames in real time. Any type of “digital” slow motion will require interpolation of frames.Let’s say you’ve got 24p footage, and you want to play it back at 50 percent. Let’s talk about our options.Most video editing software will allow you to slow down a video clip, but all post production slow motion abilities are not created equally. But many of today’s cameras that shoot 60 and 120p are reasonably priced, so getting that film quality slow-mo is well within our grasp, and if you’re a plus member, you can watch a full tutorial on shooting techniques for slow motion by clicking on the link.Of course, as video producers, we’re always trying to push the technological limits, and once 40 or even 20 percent slow motion was within our reach, we immediately wanted to slow our footage down even further, or maybe we just wanted to take footage shot at standard frame rates and get regular slow motion to look better. Now we can change the speed to 50 percent. Let’s dive into premiere, to see what we can do to slow it down.We’ve got the clip on our timeline, and by right clicking it we can select speed/duration. This footage was shot at 24 frames per second. Let’s take a look at some examples.Here’s a clip of our skateboarder moving on a path at regular speed. For video tutorials on using Twixtor, you can click on the links. But if you have After Effects or a third party plugin like Twixtor, you can get better results. Let’s take a look at the playback.While this looks slightly better, it still appears fairly jerky.If you don’t have additional software or plugins, you’re pretty much stuck with these options. Now if we go frame by frame, you can see that premiere is creating new frames by blending them together. Let’s take a look.For a smoother look, right click the clip and select frame blend. This is going to result in a stuttery type of slow motion. Let’s take a look at the playback.Slowed down to 50%, the shot appears smooth. If we go frame by frame, you can see that timewarp is actually creating brand new frames with no blending. Timewarp defaults to 50 percent playback. We’ve got our clip all trimmed, so let’s apply timewarp. I find it easier to precompose the clip, because it allows you to trim the clip in the precomp to avoid navigating through the original clip once your effect is applied. Because after effects won’t let an effect extend the length of your clip, you can either right click the clip and enable time remapping, or you can precompose the clip by right clicking and selecting precompose, or hitting control shift c. Antilog in excelNotice how the shot is fairly wide and static. But now we want to take it further and slow it down to 10 percent. Let’s take a look at some examples.This kickflip footage was originally shot at 120 frames per second, so we were able to slow it down to 20 percent with complete frame accuracy. If you’re going to shoot with the idea of slowing down footage in post, or you’re looking for ways to identify footage that might work without too much trouble, look for wide shots that have a static camera, plain background, and small movements from frame to frame, with minimal or no motion blur.This in not to say that slow motion effects won’t work on other footage, but your results are going to mixed. For a list of controls and what they do you can click on the link.Our first shot is a pretty good candidate for faking slow motion. Join surfaces rhinoLet’s take a look.You can see that while the motion of the subject was pretty decent, the graphic on the board is a dead giveaway. Let’s take a look at an example.This kickflip over the camera in real time doesn’t show much… now here’s the shot slowed to 20 percent with actual frames because it was shot at 120 frames per second.Next we tried applying timewarp to slow it down to 10 percent. Couple that with a rotating skateboard and it makes it particularly tough. Shots that have fast motion can be difficult because the objects on screen move a great distance from one frame to the other. Even the flipping board looks good without any warping or distortion.Now let’s up the ante. ![]() This is essentially mimicking a camera that shoots 2400 frames per second. This shot is tough because there’s fast motion, a moving camera, plus those vertical bars on the fence will be problematic.We’re going to take an isolated section and try to slow it down to a 1 percent playback speed. It was shot at 60 frames per second. We’ll start with a shot that’s tough to slow down in the first place.Here’s our shot in real time. It’s a clear improvement, and well worth the rotoscoping. Now let’s dive into after effects to see how we used it.Okay, now that you have an idea on what it takes to try to work with difficult footage, let’s see if the results are worth the trouble.Here’s the result using the matte in conjunction with timewarp. For more on using the rotobrush in cs6 and earlier, you can click on the link. Of course in order to do this, it means rotoscoping or masking the sections you want to slow down, which can be a time consuming process.In our case we used the rotoscope tool to create our alpha channel matte. Again notice the fence posts and the warping occurring around the subject.Both timewarp and twixtor pro have the ability to use a matte layer you create to aid in the creation of frames. Not an ideal result.The standard version of twixtor fared about the same. Shooting this way requires a ton of light, which is why we headed outdoors.If you want to know more about using shutter speed to control motion blur and you’re a plus member, you can click on the link for a full tutorial.Ok, now let’s see how our effects handled the shotUsing timewarp yielded some good results, but we still had the issue of warping close to the subject. We used a 1/2100th of a second shutter speed at 60p to get the maximum amount of frames from our 5D Mark III with no motion blur. So we decided to try all the effects on a shot that was specifically taken with super slow motion in mind.Here’s our shot at normal speed. But when it works, it offers some truly impressive results, that are well worth the time and effort. Many times the footage itself is going to be the determining factor in what tool you need, if it’s even possible to get the effect you want. Simply put, the twixtor pro results look perfect, and while 99 percent of the frames were completely fabricated, it had us convinced.Converting regular footage to slow motion, or even fast frame rate footage to super slow motion is a daunting task. No matter how we tweaked it, we couldn’t get it to look right even with the matteFinally, we applied twixtor pro and used the matte.
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